Repertoire Cuts

L’elisir d’amore

L’ELISIR D’AMORE

CUTS LIST
FOR MOSF PERFORMANCES
JULY/AUGUST 2018
CONDUCTED BY JONATHAN SANTAGADA & LEONARDO CATALANOTTO

ACT	PAGE RICORDI V.S.	CUT FROM	CUT TO	CHARACTERS
I	32	Fig 38	Fig 42	Adina Giannetta Nemorino Belcore CHORUS
I	44	9 bars after Fig 46	13 bars after Fig 46 (4 bars)	Adina Giannetta Nemorino Belcore CHORUS
I	45	4 bars before Fig 47	Fig 47	Adina Giannetta Nemorino Belcore CHORUS
I	55	Fig 57	Fig 58	Adina Nemorino
I	74	1 bar before Fig 79	8 bars after Fig 79	Dulcamara CHORUS
I	89	2 bars before Fig 91	6 bars before Fig 94	Nemorino Dulcamara
I	115	Fig 119	5 bars after Fig 119	Adina Nemorino Belcore
I	146	Fig 141	8 bars before Fig 142 “Ah dottore pietà”	Adina Giannetta Nemorino Belcore CHORUS
I		Fig 142	9 bars after Fig. 142	“”
II	152	Fig. 5	13 bars after Fig. 6	Adina Belcore Dulcamara Giannetta CHORUS


II	161	19 bars after Fig 12, play again Fig 2 to 14 after Fig 2 inclusive then 13 bars after Fig 6 to end of number [ Fig 2 = Fig 13 etc ]		Adina Belcore Dulcamara CHORUS
II	170	7 bars after Fig 23	9 bars after Fig 23	Nemorino Belcore
II	175	Fig 30	11 after Fig 33	Nemorino Belcore
II	205	17 bars after Fig 51	4 bars before Fig 52	Adina Giannetta Nemorino Dulcamara CHORUS
II	208	8 bars before Fig 53	9 bars after Fig 53	Adina Giannetta Nemorino Dulcamara CHORUS
II	211	11 bars after Fig 54	9 bars after Fig. 55	Adina Giannetta Nemorino Dulcamara CHORUS
II		4 bars before Fig. 56	Fig. 56 (4 bars cut)	Adina Giannetta Nemorino Dulcamara CHORUS
II	213	9 bars after Fig 56	21 bars after Fig 56	ORCHESTRA
II	228	Fig 65	5 bars after Fig 65 (4 bars cut)	Adina Dulcamara
II	228	5 bars before Fig 66	1 bar before Fig 66	Adina Dulcamara
II	232-3	3 before Fig 70 Adina sings “Nemorino ebbene…”	Fig 70	Adina Nemorino
II	240	Fig 80 (NB. Nemorino does not sing after cut)	3 bars after Fig 82	Adina Nemorino
II	243	7 bars after Fig 83	15 bars after Fig 83	Adina Nemorino
II	244	19 bars after Fig 83	23 bars after Fig 83 (4 bars cut)	ORCHESTRA
II	245	7 bars before Fig. 84 “Pieno di” as written “donne è il mondo” down to a semitone		Belcore ORCHESTRA
II	245	2 before Fig. 84. Orchestra transpose the chords down a tone	2 after Fig. 85	Nemorino Dulcamara Belcore CHORUS

In Act I the orchestral upbeats to 7 before 37 and 11 before 38 should be omitted. Jonathan SANTAGADA – 28/04/2018

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Le Nozze di Figaro Ed. Bärenreiter – BA4565b

Atto primo

– Recitativo after N. 2 Duettino
Cut after “di me medesma” to before “e tu credevi”

– N. 5 Duettino
Cut from bar 31 to bar 49.

– Recitativo after N. 6 Aria
Cut after “Figaro destinai” to before “tu ben sai”

– After N. 8 Coro
Cut recitativo e N. 9 Coro, start from recitativo “Evviva! Evviva, Evviva!” (Figaro, Susanna, Basilio)

Atto secondo

– Recitativo after N. 11 Cavatina
Cut after “e naturale” to before “ed hai coraggio” Cut after “ancora meglio” to before “aspetta”
Cut after “ivi sen vada” to before “ito è il Conte”

– N. 13 Aria
Cut from bar 14 to bar 81

– Recitativo after N. 13 Aria
Cut after “quante buffonerie” to before “madama scherza”

– N. 15 Duettino
Cut bars 13, 14, 15, 16, 28, 29, 37, 38, 39, 40.

– Scena V
Recitativo before N. 16 Finale
Cut after “Non è dunque Susanna!” to before “Parlate”

Atto terzo

Cut after “non so cosa pensar” to before “dove diamin”
Cut after “digli che ti attenda in giardino” to before “Signor… Cosa bramate?”

– Recitativo after N. 17 Duettino
Cut from “e perché fosti meco” to before “Carissima!”

After N. 18 Recitativo e Aria (Conte) go to page 364 (recitativo before N. 20 Recitativo ed Aria (Contessa) and cut after “Andiam, andiam, bel paggio” to before “Ah, se il Conte)

After N. 20 Recitativo ed Aria (Contessa) go to page 337 (Recitativo after Conte’s Aria) until the end of N. 19 Sestetto.

Cut Recitativo after Sestetto and start from recitativo before N. 21 Duettino (Cosa mi narri…), cut recitativo with Antonio and Conte.

– After N. 21 Duettino, after “Presto nascondi: io sento venir gente.”, start from “Ehi! Cospettaccio!”

Cut after “È questi l’uffiziale” to before “E perché non partiste?” Cut after “il mio gattino” to before “Signor… se trattenete”
Cut after “Andiam belle fanciulle” to before “Per buona sorte” Cut after “buon viaggio” to before “Cherubino?”

– N. 23 Finale
Cut after “e meditiam vendetta” to 11 bars before Allegretto (this is an optional cut).

“Amanti costanti” ONLY Barbarina and Cherubino
“Cantiamo, lodiamo sì saggio signor” TUTTI except Conte and Contessa The last “Amanti costanti” TUTTI except Conte and Contessa

Atto quarto

– Recitativo after N. 24 Cavatina (Barbarina)
Cut after “Ah ah, de’ pini” to before “Addio mio bel cugino”

– Next recitativo (Scena III)
Cut after “Flemma, flemma” to before “il loco del congresso”
After “A vendicar tutti i mariti: addio.” start from N. 27 Recitativo ed Aria (Tutto è disposto).

Leonardo Catalanotto 06.03.2018

Conductors
Leonardo Catalanotto and Jonathan Santagada

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Cuts Madama Butterfly

Act 1 – Cut from 1 bar after Fig. 61 to Fig. 63